Edgar Bori, Marie-Pierre Arthur and Fredz: the musical news in Quebec from November 4, 2026

Edgar Bori, a major figure in the Quebec music scene, announces his departure with the release of his 19th album, 'Bori 30 ans, ça suffit !', and a farewell tour. This project, in collaboration with the brass band Pourpour and Jean-François Groulx, marks the end of a three-decade career.

Marie-Pierre Arthur recently delivered a warm performance in Laval as part of the La Salle de jeu initiative, while Fredz is preparing for his first headlining show at the Centre Bell, scheduled for December 2027.

Edgar Bori bids farewell with a final album and a farewell tour

Edgar Bori, an iconic figure in the Quebec music scene, announces his departure with a 19th album titled 'Bori 30 ans, ça suffit !'. This project marks the end of a three-decade career, during which Bori has captivated his audience with his unique music and stage performances. This latest opus, released recently, is a collaboration with the brass band Pourpour and his faithful accompanist Jean-François Groulx on grand piano, bringing an orchestral touch to his compositions.

Bori's farewell tour will kick off at the Coup de cœur francophone festival, with a concert scheduled for November 8 at the Outremont. This show promises to gather the musicians who have marked his journey, offering a final opportunity for fans to experience Bori live. In addition to the CD, a 33 RPM vinyl will be available, a first for the artist who had to adapt his work for the vinyl format, limiting each side to 20 minutes to ensure optimal sound quality.

It was during the BIS de Nantes in 2024 that the idea for this farewell tour took root, as he discussed it with Alain Chartrand, the festival's artistic director. This project symbolizes not only the celebration of his 30 years in the business but also a way for Bori to say goodbye to his audience and the music scene.

Source: Le Devoir

Marie-Pierre Arthur enchants families in Laval

Marie-Pierre Arthur delivered a memorable performance at the Salle Claude-Legault in Laval last Friday as part of the La Salle de jeu initiative. This innovative concept aims to make live music accessible to families by offering concerts at a moderate volume and in a welcoming atmosphere for younger audiences. The Gaspesian artist took advantage of this intimate setting to present her show 'Ensemble doux', which revisits her repertoire from a purified and collective angle.

Accompanied by Raphaël Pépin-Tanguay (alias Velours Velours), Naomie de Lorimier (alias N Nao), and Émilie Pompa, Marie-Pierre Arthur created an exceptional vocal harmony. François Lafontaine on keyboards and Joe Grass on guitar completed this group of six musicians, bringing a refined musical touch. Despite some distractions caused by the room's layout, the experience remained memorable for the audience, thanks to the closeness and complicity of the artists on stage.

Source: Sors-tu.ca

Worry and Autre Part light up the Pantoum with memorable performances

On October 17, the Pantoum in Quebec City resonated with the launch of 'Positive Memory', the first full album by Worry. This project, led by multidisciplinary artist Kerry Samuels, falls within the emogaze movement, a style uncommon in Quebec. The event was marked by impressive scenography, featuring visual elements reminiscent of the album's universe, such as banners, cathode-ray televisions, and a grass carpet, transforming the venue into an immersive space.

The evening began with Autre Part, a well-known shoegaze band from the local scene. Composed of Nicolas Roy St-Pierre, Samuel Rotunno, Louis-Frédéric Verrault-Giroux, and Jeremie Loisel-Payette, the quartet delivered an energetic performance, punctuated by new unreleased tracks that captivated the audience. Their performance not only delighted the fans present but also served as inspiration for their future musical projects.

Worry then took the stage with a lineup including L I L A on keyboards and vocals, Jérémie Brunet on bass, Gaspard Eden on guitar, and Aubert Gendron Marsolais on drums. Together, they captivated the audience with a performance that reflected Kerry Samuels' hard work and artistic vision. This launch marked an important milestone for Worry, solidifying their place in the Quebec music scene.

Source: Écoute donc

Coup de cœur francophone 2026: The must-see launches

The Coup de cœur francophone festival, running from November 5 to 15, promises a wealth of musical discoveries. Among the artists to watch, Mathilde Joncas, known for her solo project Jonquille, will launch her album 'Si on est la somme des gens qu'on aime' on November 6. This acoustic pop-rock project highlights vocal melodies and well-crafted lyrics. Chloé Jara-Buto, with her intimate rock, continues to surprise by breaking conventions with her short and impactful pieces.

FYORE, who recently released a debut album blending afropop, Quebec chanson, electro-pop, and R&B, will perform on November 7. He will share the stage with Komēdza, with whom he has previously collaborated. Andrea Prochazka, for her part, unveiled a second pop-rock EP with experimental sound textures on October 9, thus enriching the Quebec music scene.

Other artists like Anaïs Constantin and Mat Vezio also made their mark this fall with their respective projects. Constantin explores small disappointments with 'L'amour pis les steamés', while Vezio reinvents himself on 'Vingt mille pieds au-dessus de l'abysse'. Catherine Alone, alias Catherine Laurin, offers solo piano pieces, and the trio PRINCESSES impresses with 'Une autre dose de courage'.

Source: Le Canal Auditif

Festival Triste 2026: A musical celebration of melancholy

The Festival Triste returns for its fifth edition, transforming the end of November into a celebration of melancholy in Montreal. From November 24 to 29, this unique festival promises an immersion into introspective and experimental sounds. The musical kickoff will take place on November 24 at P'tit Ours with Lia Kuri and Mon Doux Saigneur, the project of Emerik St-Cyr Labbé. The latter, known for his shift towards soul and R&B sounds with the album 'Du soleil dans l'œil', promises an emotionally rich evening.

The festival will continue on November 27 and 28 with performances at various Montreal venues, including Système and Espace SAT. These evenings will feature artists such as New York cellist Leila Bordreuil and avant-pop musician Kee Avil, offering electronic and experimental music lovers unique moments. Other artists like Mantisse, a member of LaF, and Grace Desbarats will enrich the program with their distinct styles, while the vocal quartet Les Oisifs will present their show 'Les Amours de Bertrand'.

In addition to music, the Festival Triste explores other art forms, including cinema, with a collaboration with Cinéma Moderne. Special attention is given to mental health issues, highlighting the importance of destigmatizing emotional experiences. This festival, born out of the pandemic, continues to shed light on the beauty of sadness, a deeply human and liberating emotion.

Source: Sors-tu.ca

L’ADISQ and Pascal Bérubé: an awaited intervention for Quebec music

During the ADISQ gala week, the Quebec music industry looks towards Pascal Bérubé, the new Minister of Culture, for a crucial announcement. ADISQ, through its general director, Eve Paré, has expressed concern about the future of Quebec music, following an alarming study by the Commissioner of the French Language. This study, published on October 13, reveals that Quebec is among the markets where local artists are the least listened to, and where French music occupies a tiny share of listens.

Minister Bérubé, present at the ADISQ galas, promised an imminent announcement to support the music sector. However, the details of this announcement remain unclear. The time constraint, due to the minority nature of the government, makes it difficult to implement a comprehensive consultation of the music ecosystem, as desired by a collective of sector organizations. All eyes are on the minister, hoping for a swift and effective action.

Source: Le Devoir

The Chats arrive in Montreal with their new album

The Australian punk rock trio, The Chats, is ready to set the Montreal stage ablaze with a concert scheduled at L'Olympia on April 25, 2027. This performance is part of the tour for their new album, 'Half Cut', which is set to be released in early March 2027. Punk rock fans will have the chance to experience the new compositions of this energetic group live, which has built a reputation for its frenetic musical style and impactful lyrics.

The Chats, known for their direct and uncompromising approach to punk, continue to captivate an international audience with their raw and authentic music. Their stop in Montreal is highly anticipated, especially since L'Olympia is a venue renowned for its electric atmosphere, perfect for hosting the band's explosive sound. This concert promises to be a memorable moment for Quebec fans, who will have the chance to dive into the crazy universe of 'Half Cut', while revisiting the classics that made the group famous.

Source: Sors-tu.ca

Fredz prepares to conquer the Centre Bell in 2027

Fredz, whose real name is Frédéric Carrier, is about to mark a turning point in his career with his first headlining show at the Centre Bell on December 3, 2027. This 24-year-old artist, who first gained recognition through TikTok and Instagram, already has an impressive musical catalog including a mixtape and four albums. His latest opus, 'On s'enverra des fleurs', earned him six nominations at the ADISQ gala, notably in the categories Album of the Year – Pop and Artist of the Year – International Radiance.

Fredz has just returned from a tour in Europe and is embarking on a series of concerts across Quebec from November 2026 to March 2027. Several of his shows are already sold out, reflecting his growing popularity. Fans can catch Fredz in cities like Longueuil, Saguenay, and Rimouski before seeing him take the stage at the Centre Bell. Tickets for this highly anticipated event will be available starting November 3, 2026, on the evenko website.

Source: Sors-tu.ca

Antoine Corriveau in trio: an intimate evening at L'Anti

On October 16, Antoine Corriveau took over the stage at L'Anti Bar & Spectacles in Quebec City, offering a trio concert that captivated the music lovers present. Accompanied by Marc-André Landry on bass and Stéphane Bergeron on drums, Corriveau performed tracks from his second EP, 'Baignade au centre du fleuve'. This opus reveals a more introspective artist while maintaining his usual mastery of composition and interpretation.

The evening was marked by reinterpretations of older pieces, such as 'Les trous à rats' and 'Un par un', which were revisited with a minimalist yet rich approach. Charlotte Brousseau, as the opening act, brought an airy touch with her own compositions and joined Corriveau on stage to perform 'Maladresses' and 'Imprudences', adding a new dimension to these tracks. This concert allowed for a rediscovery of Corriveau's works from a different angle, while highlighting the musical complicity between the artists present.

Charlotte Brousseau also took the opportunity to present new creations to the audience, adding a dose of freshness to the evening. The performance by Corriveau and his collaborators was a true delight for music lovers, once again confirming the artist's ability to renew himself while staying true to his musical universe.

Source: Écoute donc

Triumphant return to Théâtre St-Denis: a tribute to the 80s

Théâtre St-Denis hosted a legendary quartet on Monday night for a unique Quebec date of their North American tour. Two years after their last appearance, Adrian Belew and Tony Levin, loyal members of the group, were joined by Steve Vai and Terry Bozzio, who successfully took over the torch from Robert Fripp and Danny Carey respectively. This concert was marked by the addition of the piece 'Thrak' from 1995, enriching a repertoire already composed of classics from the 80s: 'Discipline', 'Beat', and 'Three of a Perfect Pair'.

The evening opened with 'Dinosaur', an emblematic piece that seems to herald the end of an era for these seasoned musicians. 'Neurotica' then took over, offering an intense performance where Belew's half-spoken singing captivated the audience. Terry Bozzio, on drums, left his mark by adding a new sonic dimension, distinct from Carey’s. The mix of generations in the audience, from gray-haired fans to newcomers, reflects the lasting impact of this unconventional music, which continues to inspire even after several decades.

Source: Sors-tu.ca

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