Chanelle Salinger and Charlotte Cardin: Music News in Quebec for November 1, 2026

Chanelle Salinger recently lit up the Pantoum in Quebec City by unveiling her first EP, 'The Hours We Keep'. Presenting a dream pop universe, she captivated her audience with themes of insecurity and solitude.

Charlotte Cardin, for her part, continues to delight her fans by announcing a fourth date at the Centre Bell for her 'Midnight, mon amour' tour, after adding a show at the Centre Vidéotron. This popularity reflects the excitement for the artist on the Quebec music scene.

Chanelle Salinger Lights Up the Pantoum with "The Hours We Keep"

On October 23, Chanelle Salinger unveiled her first EP, "The Hours We Keep", during a memorable evening at the Pantoum in Quebec City. The artist, known for her time in the band Winterglow, presented a starry and melancholic dream pop universe through five electro tracks. Themes of insecurity and solitude, approached with a touch of hope, resonated with the audience, particularly thanks to her enchanting voice.

On stage, Chanelle was surrounded by talented musicians who enriched the musical experience. The show began with "January’s Boxes" and continued with tracks like "6PM" and "Haunted June", the latter ending with a surprising instrumental passage almost metal. Chanelle also offered intimate moments, notably alone at the piano, and performed covers of Billie Eilish's "i love you" and Mazzy Star's "Fade Into You", two major influences for her.

The evening also featured the participation of Fovelle and Maxime Delage, who joined Chanelle to perform "le grand bleu", a previous collaboration. Chanelle took the opportunity to thank her musicians, the Pantoum team, and local media, highlighting the importance of this evening in her career.

Source: Écoute donc

Charlotte Cardin Ignites the Centre Bell with an Additional Date

Charlotte Cardin, one of the most prominent voices in the Quebec music scene, has announced the addition of a fourth date at the Centre Bell as part of her 'Midnight, mon amour' tour. This announcement comes after the recent addition of a show at the Centre Vidéotron in Quebec City, reflecting the excitement that the artist generates among her fans.

The 'Midnight, mon amour' tour seems to captivate the Quebec audience, and this new date in Montreal confirms Charlotte Cardin's growing appeal. The Centre Bell, with its impressive capacity, is a prime venue for hosting the artist's admirers. This series of concerts continues a flourishing career marked by critical and popular successes.

Charlotte Cardin continues to enchant with her talent and stage presence, thereby consolidating her place among the essential figures of current Francophone music. The addition of this extra date is further proof of her growing popularity and the impact of her music on the Quebec scene.

Source: La Presse

Jazz@Vue 2026: A Mesmerizing Evening at the Théâtre Outremont

The Théâtre Outremont recently hosted the third evening of the Jazz@Vue 2026 series, an initiative in collaboration with Effendi, Productions Yves Léveillé, and Productions Félix Stüssi. This event, immortalized by photographer Pierre Langlois, highlighted exceptional talents from the contemporary jazz scene.

The evening began with the French duo LéNo, composed of Arnaud Dolmen on drums and Léonardo Montana on piano. Their performance captivated the audience with an impressive synergy, where the two musicians created a dense and immersive sound experience. Dolmen's inventive playing on his Jazzette, a minimalist drum set, magnified Montana's compositions, taking the audience on a musical journey rich in emotions and creativity.

Montrealer Gentiane MG then presented her project "Can You Hear the Birds?", accompanied by Levi Dover on bass and Mark Nelson on drums. This album, reflecting a deep human connection, was performed with a finesse that touched the hearts of the spectators. The music, born from listening and mutual trust within her trio, offered a shared and authentic experience, rooted in collective expression.

Source: Sors-tu.ca

Alexandra Stréliski Makes Her Grand Return with Cirque Le Roux

After a year-long break, talented pianist Alexandra Stréliski returns to the forefront. She is set to enchant the Montreal audience in November with a series of about ten performances in collaboration with Cirque Le Roux. This series of performances marks a new stage in her career, combining music and circus arts.

The choice to partner with Cirque Le Roux is not trivial. Known for its original creations and innovative approach, the artistic collective offers Stréliski an ideal setting to express her music in a unique way. The shows, which will take place in Montreal, promise a unique fusion between Stréliski's piano compositions and the acrobatic performances of her stage partners.

This collaboration is a natural extension of Alexandra Stréliski's journey, who has managed to captivate a wide audience with her evocative melodies and sensitive piano playing. After a year of stage silence, her return is highly anticipated by her admirers, who will be able to rediscover her musical universe enriched by the energy and creativity of Cirque Le Roux.

Source: Journal de Montréal

Meeting Between Two Icons of Drummondville: Simon Proulx and Steve Veilleux

Simon Proulx and Steve Veilleux, emblematic figures of the Drummondville music scene, come together to share their respective journeys. Simon Proulx, singer of Trois Accords, continues to proudly represent his band, while Steve Veilleux is preparing to say goodbye with Kaïn, which will bid farewell in just over a month. This meeting is part of a series of three interviews organized at the Rose Drummond garden stop, leading up to the ADISQ Gala.

Trois Accords, under Simon Proulx's direction, has no intention of slowing down. The band continues to rack up successes and captivate the Quebec audience with their unique style and quirky lyrics. On his side, Steve Veilleux and Kaïn are preparing for their exit with emotion, after having marked the Quebec music scene for many years. This meeting between two renowned artists highlights their significant contributions to Quebec music and their lasting impact on fans.

Source: La Presse

Valois Fauteux: A Family Musical Fresco Inspired by Harmonium

The trio Valois Fauteux, composed of Louis Valois, Monique Fauteux, and their daughter Julie Valois, is set to unveil an ambitious and personal work. This project, born during the pandemic, is inspired by the spirit of Harmonium while telling the story of this musical family. The first two volumes of this fresco, titled 'Origine' and 'Soleil', are now available. They explore the mother-daughter and father-daughter relationships, featuring pieces like 'Pour la suite des choses I' and 'Pour la suite des choses II', set to music by François Richard.

The launches of these albums will take place on November 3 and 8 in Montreal and Quebec City, at the Lion D’Or and the Petit-Champlain theater. For these events, the trio will be joined by Guillaume Chartrain and Benoît Rocheleau, to recreate the richness of the arrangements live. Although the task is complex, enthusiasm is palpable at the La Traque studio, where rehearsals are in full swing.

This musical project is a natural extension of Harmonium's legacy, but it is primarily a family story, as emphasized by Julie Valois. The upcoming volumes will continue to explore the thread of life, with a third installment already announced, titled 'Amour'. However, Julie will not participate in this one, allowing her parents to continue exploring their rich musical heritage.

Source: Le Devoir

Katseye Ignites the Centre Bell Despite a Too Safe Formula

The pop group Katseye stormed the Centre Bell last night as part of their The Wildworld Tour, inspired by their latest EP, Wild. Despite the absence of two members due to health reasons, the four remaining artists managed to attract a crowd mainly composed of young girls and their parents. This show, although perfectly orchestrated, left some spectators wanting due to its lack of spontaneity.

Katseye, produced by the American division of the Korean agency Hybe, managed to capture the audience's attention with its unique concept: young women from diverse backgrounds singing primarily in English, trained according to K-pop standards. Their performance, which began with the catchy single Hootie Frutti, marked a significant stylistic turn since their debut with the song Debut. However, the increasingly sexualized lyrics of their songs may have surprised the attending parents.

The Halloween Eve atmosphere was palpable, with fans in costumes and the group members dressed as DC Comics superheroines. However, the absence of costume changes during the show was noted. The opening act, consisting of the airing of their music videos, still managed to electrify the audience, particularly during their hit Gnarly. Despite the challenges, Sophia, Manon, Daniela, Lara, Megan, and Yoonchae continue to captivate a global audience.

Source: Sors-tu.ca

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