Thierry Larose and Claire Pelletier: Music News in Quebec from October 11, 2026

Thierry Larose captivated listeners with the launch of his third album, 'Le X du Y', during an exclusive event at Radio-Canada's Studio R. This event, broadcast live by ICI MUSIQUE, highlighted Larose's new artistic direction, which now expresses an increased sincerity in his compositions.

Claire Pelletier makes her grand return after a decade of absence with 'L'écho des passages'. This new album, imbued with sweetness, reaffirms her prominent place in the francophone music landscape. Meanwhile, Charlotte Cardin surprised with two versions of her song 'Memories', and the Quebec electro scene mourns the loss of Pierre Crube.

Thierry Larose unveils "Le X du Y" at the 7th Heaven of Radio-Canada

On Friday night, Thierry Larose marked the Quebec music scene by launching his third album, "Le X du Y", during a unique event at Radio-Canada's Studio R. This launch, organized as part of the Sur Mesure series by ICI MUSIQUE, was hosted by Nicolas Ouellet and broadcast live across the country. The concert, although presented in a solo acoustic format, reserved several surprises for the lucky ones who managed to snag a ticket in a record time of 45 seconds.

The performance, lasting 60 minutes, took place on the 7th floor, offering a breathtaking view of Montreal. For those who could not attend in person, the concert will soon be available in video, a new feature this year, in addition to the audio already accessible via RC OHdio. Prior to this launch, Larose also took the time to meet his fans at Club Pays for a listening and signing session. Despite a recent return from Europe, the 29-year-old artist demonstrated contagious energy, sharing the inspirations behind "Le X du Y" during his appearances on Pénélope McQuade and Catherine Pogonat's shows.

Source: Sors-tu.ca

Thierry Larose unveils his heart with "Le X du Y"

Thierry Larose, a rising figure in the Quebec music scene, returns with a third album titled "Le X du Y". This opus marks an evolution in his artistic approach, where he chooses to let down his guard to express himself more sincerely. Known for his ambitious pop with catchy choruses, Larose continues to assert his place in the music landscape with compositions that resonate deeply with his audience.

Although specific details about this album remain to be discovered, Larose's choice to open up more promises an authentic and enriching musical experience. "Le X du Y" seems to be a love letter to Quebec music, inviting listeners to share this passion. While awaiting more information about the tracks and collaborators involved, it is certain that this album fits into the continuity of his rising artistic journey.

Source: La Presse

Claire Pelletier: a gentle return with «L’écho des passages»

Claire Pelletier marks her return to the Quebec music scene with the release of her new album, «L’écho des passages». Ten years after her last record, the singer returns with a work imbued with sweetness, confirming her status as an essential artist in the francophone music landscape.

This long-awaited album reflects an artistic maturity gained over the years. Although details about collaborators and specific tracks from this opus are not available, the announcement of this return is already generating excitement among music lovers in Quebec. Claire Pelletier, known for her enchanting voice and refined melodies, continues to delight her audience with compositions that promise to live up to her previous successes.

Source: Journal de Montréal

Charlotte Cardin enchants with 'Memories' in double version

Charlotte Cardin, one of the most striking voices in the Quebec music scene, has just surprised her fans with the release of her new song 'Memories'. What distinguishes this release is the offering of two distinct versions: an original version in English and a bilingual version titled 'Memories (Souvenirs)'. This approach allows the artist to reach an even wider audience while showcasing her ability to navigate between the two languages.

The decision to offer a bilingual version reflects Charlotte Cardin's commitment to her francophone roots while continuing to address an international audience. This musical release fits into the continuity of her impressive journey, where she has stood out with her unique style and captivating performances. The two versions of 'Memories' promise to add a new dimension to her already rich and diverse repertoire.

Source: La Presse

Pierre Crube, figure of Quebec electro, passes away at 44

The world of Quebec electronic music is in mourning following the death of Pierre Crube, also known by his real name Simon-Pierre Weiskopf, at the age of 44. An influential member of the group Numéro, Crube marked the music scene with his innovative approach and ability to blend different musical styles. His contribution to the group was essential in developing their unique sound, which has captivated a loyal audience over the years.

Numéro, the group to which Crube devoted a large part of his career, distinguished itself through its avant-garde compositions and energy on stage. Electro music fans will remember Pierre Crube as a passionate artist, whose talent significantly contributed to the rise of this musical genre in Quebec. His passing leaves a void in the music landscape, but his legacy will continue to influence future generations of artists.

Source: Journal de Montréal

Fovelle: An Electrifying Showcase at L'Anti Bar & Spectacles

On September 25, L'Anti Bar & Spectacles in Quebec City hosted Fovelle, a Montrealer by adoption, for a showcase marking the beginning of a new musical era. This intimate concert allowed the producer to unveil his new compositions and introduce his new band, featuring Emma Baillie on drums, Dizzy Veillet on bass, and Julia Mae Stone, also known as Mélodie Louve Quirion, on vocals.

Despite some technical glitches, including wiring issues and a temperamental synthesizer, Fovelle managed to maintain overflowing energy throughout his performance. The audience was able to discover new tracks while enjoying previous hits like 'Night cap, power nap'. A highlight of the evening was the collaboration with Matt Moln on 'Cours', followed by an appearance from Chanelle Salinger, adding a special touch to the event.

The evening concluded on a dynamic note, with Fovelle inviting spectators to form a mosh pit, with himself and Julia Mae Stone joining the crowd. This performance reflects the natural evolution of his work since the album 'L'enfant au briquet', promising a promising new artistic direction.

Source: Écoute donc

Renaud Symphonique: A Dazzling Evening at the Salle Wilfrid-Pelletier

The first of two Quebec shows in tribute to Renaud took place at the Salle Wilfrid-Pelletier, orchestrated by the creative duo Yann Perreau and Antoine Gratton. This event celebrated the 50-year career of the French artist by revisiting his repertoire with about fifteen Quebec voices. The audience was transported through the eras, from the 1968 to the 2000s, accompanied by the National Jazz Orchestra. Perreau's staging and Gratton's musical direction embraced Renaud's work with remarkable resonance and subtlety.

Among the highlights of the evening, Marie-Jo Thério delivered a theatrical performance on 'It Is Not Because You Are', while Mara Tremblay, accompanied by her son Édouard Tremblay-Grenier, performed 'Manu' and 'Manhattan-Kaboul'. Daniel Boucher electrified the room with his rock version of 'Morgane de toi', dressed in a stylish jacket bearing 'Lolita'. Betty Bonifassi also left a mark with her emotional performance of 'Écoutez-moi les Gavroches'. Each artist paid tribute to Renaud's lasting influence, offering a night rich in emotions and memories.

Source: Sors-tu.ca

The Sherbrooke trio 2120 conquers Paris

The group 2120, formed by three long-time friends from Sherbrooke, continues their musical adventure in France. After spending some time in Montreal to refine their style, the trio made the bold decision to settle in Paris. This choice seems to be paying off, as they are now finding their footing in the French capital.

Located near Place de la République, the members of 2120 have made the terrace of a local bar their headquarters. It is there that we met them to discuss their journey. Their presence in Paris reflects their desire to establish themselves on the European music scene while staying true to their Quebec roots. Their music, a blend of modern sounds and varied influences, continues to attract an increasingly wide audience, confirming their growing success.

Source: La Presse

A Quebec playlist to energize the Montreal Marathon

As the Montreal Marathon attracts thousands of participants each year, MUSIQC has created a playlist specifically designed to accompany runners on their journey. This musical selection highlights the diversity and richness of the Quebec music scene, offering a mix of sunny pop, energetic rock, and timeless classics. An initiative aimed at motivating and inspiring athletes throughout their effort.

More than just a sound accompaniment, this custom soundtrack shines a light on local artists, thus helping to promote Quebec music to a wide audience. By incorporating tracks that capture the essence and vitality of the province, MUSIQC allows runners to discover or rediscover local talents while tackling the marathon challenge. A beautiful way to celebrate sport and local culture in one stride.

Source: Journal de Montréal

Arielle Soucy enchants the Théâtre Petit Champlain with her celestial harmonies

On September 26, the Théâtre Petit Champlain was the stage for a mesmerizing performance by Arielle Soucy. Under a full moon adding a touch of magic to the evening, the artist captivated the audience with powerful harmonies, accompanied by Jeanne Laforest and Elisabeth Tremblay on backing vocals. The show began with 'Passage', followed by tracks such as 'How to Be Me' and 'Lumière', all showcasing Soucy's ability to transport her audience into a musical reverie.

The first part of the show was provided by Bells Larsen, a singer-songwriter from Toronto. Larsen touched the audience with songs from his album 'Blurring Time', an artistic project documenting his gender transition. The artist, who learned French in part due to his love for Quebec, performed a few songs in French, adding a personal dimension to his performance. This intimate introduction perfectly set the stage for Arielle Soucy, who then shared anecdotes about her songs, including 'Varieties of Silence', inspired by a poem by Christian Wiman. Soucy's goal of blending choral and pop lyrics was fully achieved during this memorable evening.

Source: Écoute donc

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