Thierry Larose, Charlotte Cardin and Apashe: Music News in Quebec on October 10, 2026

Thierry Larose returns to the forefront with his third album 'Le X du Y', offering a rich and personal musical introspection. This new opus stands out with its catchy choruses and ambitious pop, consolidating Larose's place among the essential artists of Quebec.

Charlotte Cardin, for her part, surprises with 'Memories', a song released in a bilingual version, allowing her to broaden her audience. Moreover, Apashe recently captivated the Montreal audience by merging his electro sounds with the Orchestre symphonique de Montréal, once again demonstrating his talent for innovative collaborations.

Thierry Larose reveals his heart with "Le X du Y"

Thierry Larose, a rising figure in the Quebec music scene, returns with his third album titled "Le X du Y". With this new work, Larose chooses to open up more emotionally, adopting a more personal and sincere approach in his compositions. The album continues to explore his ambitious pop signature, characterized by catchy and unifying choruses that mark his distinctive style.

In embarking on this project, Larose seems to want to celebrate Quebec music with renewed energy. Although specific details about collaborators or tracks on the album are not available, the excitement surrounding this release is palpable. This third opus could well consolidate his place among the influential artists of the Francophone scene in Quebec, while attracting an ever-wider audience. "Le X du Y" is set to be an important milestone in the career of this promising young artist.

Source: La Presse

Charlotte Cardin enchants with two versions of "Memories"

Charlotte Cardin, a renowned Montreal artist, offers her fans a double dose of creativity with the release of her new song, "Memories". Not only does the singer present an original version, but she also offers a bilingual version titled "Memories (Souvenirs)". This artistic choice allows Cardin to reach an even broader audience, combining her talent for writing in both English and French.

This release marks a new step in Charlotte Cardin's career, which continues to captivate with her unique voice and moving compositions. The decision to offer two versions of the same song reflects her desire for experimentation and connection with her Francophone and Anglophone fans. The reception of these tracks could well consolidate Cardin's place among the essential artists of the Quebec and international music scene.

Source: La Presse

Apashe and the OSM: A captivating electro-classical fusion

On Thursday night, electro producer Apashe inaugurated a series of three concerts in collaboration with the Orchestre symphonique de Montréal. Known for integrating orchestral elements into his albums, Apashe managed to blend harmoniously within the orchestra, showcasing both his compositions and the virtuosity of the musicians. Nearly 150 artists, including the Chœurs des Petits Chanteurs de Laval, participated in this performance where electronics subtly mingled with classical music.

The concert highlighted works from the albums 'Renaissance', 'Antagonist', and the EP 'Hymns of Resilience', with a special mention for 'Lacrimosa' from the album 'Requiem'. Apashe also included a musical interlude of Tchaikovsky, played without any electro addition, emphasizing his respect for classical music. The sobriety of the staging, in contrast to his previous performances, allowed the musicians to shine and offered a unique visual and auditory experience. Seven guests, featured on his albums, enriched this eclectic and immersive evening.

Source: Sors-tu.ca

GAMIQ 2026: Nominations Revealed for the 21st Edition

The independent music scene in Quebec is buzzing as the nominations for the 2026 Gala Alternatif de la Musique Indépendante du Québec (GAMIQ) have been unveiled. This gala, celebrating its 21st edition, will take place on November 29 at Foufounes Électriques, an iconic venue in Montreal. Unlike last year when Cassidy swept 12 awards, this edition sees a more balanced distribution of nominations, with eight artists or groups standing out with three nominations each.

Among the artists vying for multiple awards are Alphonse Bisaillon, Malaimé Soleil, Taxi Girls, Éléonore Dessureault, Marie Céleste, Douance, Afternoon Bike Ride, and Guhn Twei. These promising and established talents reflect the diversity and richness of the Quebec music scene. The event will be hosted by Benoit Poirier, adding a touch of dynamism and familiarity to this evening dedicated to independent music.

Source: Sors-tu.ca

Duu: An immersive celebration for Strobus/Banksiana

The musical project Duu, led by Étienne Dupré, is set to unveil its second album, "Strobus/Banksiana", this Friday, October 9, after four years of gestation. This opus, which is deeply rooted in the artistic approach of Quebec's nature, will be presented at Club Pays, an iconic venue in the Montreal independent scene located on Plaza St-Hubert.

To mark this release, Duu offers a unique experience by organizing a multimedia installation that promises to enrich the listening of the album. This initiative combines a playful dimension with a conference, thus providing an immersive and original approach to discover "Strobus/Banksiana". Club Pays, known for its support of independent music, will serve as the perfect setting for this event, further strengthening the link between Duu's work and the Montreal audience.

Source: Sors-tu.ca

Romie Lacasse addresses mental health with her new title "Monstre"

Romie Lacasse, a rising voice in the Quebec music scene, unveiled her latest single titled "Monstre" today. With this piece, the young artist tackles the taboos surrounding mental health, a theme that is personal to her. By sharing her own experiences with anxiety, she hopes to open a dialogue and provide comfort to those experiencing similar situations.

This new song marks an important milestone in Romie Lacasse's career, as she uses her music as a means to exorcise her inner demons. "Monstre" promises to resonate with a wide audience thanks to its poignant message and authentic approach. This release is part of a series of initiatives by the artist aimed at raising awareness about the challenges of mental health, a subject still too often stigmatized.

Source: Journal de Montréal

Interdit les chiens: When improvisation meets punk

The Quebec trio Interdit les chiens, composed of Simon Trottier, Charles Blondeau, and Cédric Martel, is making waves with its unbridled and improvised musical approach. This project came to life without a pre-established plan when the three musicians gathered at the Madame Wood studio in Montreal for a creative session. In nine days, they gave birth to an album infused with their punk rock and hardcore influences from the 1990s, as well as post-punk and post-rock.

Simon Trottier, a former member of Timber Timbre, brought his rich experience of collaborations with artists like Philippe Brach and Maude Audet. He began his career in punk rock bands influenced by legends such as Bad Religion and NoFX. Meanwhile, Charles Blondeau and Cédric Martel, former members of the band Mauves, also contributed their stage experience and adaptability, particularly Cédric, who learned to play on right-handed guitars despite being left-handed.

Initially conceived as a one-off exploratory project, Interdit les chiens quickly evolved into a full-fledged band, thanks to the chemistry between its members. Their studio composition method, without going through rehearsals, allowed them to create raw and spontaneous music, true to the spirit of punk. This project is a striking example of the richness of the current Quebec music scene, where experimentation and artistic freedom are at the heart of creation.

Source: Sors-tu.ca

Beatrice Deer enchants Palais Montcalm

Inuk artist Beatrice Deer recently captivated the audience during the Kwatriho’tat! – "Let’s Listen, All of Us!" event held at Palais Montcalm. This performance took place in the intimacy of the Youville hall, offering a unique closeness with the artist. The event attracted a large and attentive audience, reflecting the growing interest in the Indigenous music scene in Quebec.

Beatrice Deer, known for her ability to merge elements of traditional and contemporary music, managed to enchant the spectators present. Those closely following the evolution of Indigenous music were able to appreciate the depth and authenticity of her art during this memorable evening. The intimate setting of the Youville hall allowed for a special connection between the artist and her audience, enhancing the impact of her performance.

Source: Écoute donc

Sandrine Masse dazzles Chez Madame Belley

On September 24, Sandrine Masse delivered a memorable performance at Palais Montcalm, specifically Chez Madame Belley, as part of the Kwatriho’tat! "Let’s Listen, All of Us!" event. This event is a celebration of cultural and musical diversity, and Sandrine Masse added her unique touch to it.

Born to a Wendat father and a Quebec mother from Gaspésie, Sandrine Masse drew from her roots to offer a show rich in emotions and sounds. Her personal compositions resonated with the audience, highlighting her undeniable talent for blending different cultural influences.

Sandrine Masse's performance was praised by the spectators present, confirming her place in the Quebec music landscape. Her ability to captivate and move with her melodies and lyrics made this evening an unforgettable moment for all those who had the chance to attend.

Source: Écoute donc

GAMIQ 2026: Public voting in question

The Gala alternatif de la musique indépendante du Québec (GAMIQ) 2026 is sparking an animated debate regarding the role of public voting in the nominations. By opting for an equal distribution between public voting and jury voting, GAMIQ aims to mobilize a broader audience around Quebec's independent music. However, this approach is criticized by some artists who see it as a risk of turning the event into a mere popularity contest.

Andrew Wells-Oberegger, an artist linked to La Nef musicale, expressed his disagreement on social media, highlighting that this method could diminish the value of the awards given. He chose not to submit his works this year, refusing to solicit his circle for votes. This criticism highlights a dilemma: how to reward the best works while engaging the public?

The GAMIQ organizers defend their choice by stating that this strategy aims to increase the visibility of Quebec's independent music, a sector struggling to capture listeners' attention on digital platforms. The ceremony, scheduled for November 29 at Foufounes Électriques, thus aims to be a driver of discoverability, seeking to attract more eyes and ears to the local music scene.

Source: Sors-tu.ca

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