Woody, Dumas and 2120: the Quebec music scene of October 3, 2026

The Montreal rapper Woody marks a turning point in his career with the release of his new EP 'STAFF MEAL', a seven-track project where he explores themes related to the restaurant industry. At the same time, Dumas continues his musical exploration with the second installment of his instrumental project 'Marathon', moving away from lyrics to focus on sounds.

On the international scene, the Quebec band 2120 is making waves in France and attracting the attention of the Beatles, who shared one of their performances on TikTok, increasing their global visibility. Meanwhile, in Quebec City, WAG electrified the Centre: Hub Créatif with the launch of their first album, 'The Whimsical And Glorious Show'.

Woody releases his new EP "STAFF MEAL"

The Montreal rapper Woody, whose real name is Nathan Desager, has just launched his latest EP titled "STAFF MEAL". This project, composed of seven new songs, marks an important milestone in the artist's career. Indeed, his writing and delivery are particularly sharp on this album, with a special mention for the track "LA MIF DE LA MIF". This title reflects Woody's artistic evolution, showcasing impactful lyrics and references to the restaurant world.

The production of "STAFF MEAL" is credited to Benjamin Duplantie-Grenier, who has managed to create a musical ambiance that matches Woody's ambitions. The rapper continues to stand out on the Quebec music scene, and his presence as the opening act for Aswell's tour this fall only enhances his visibility. This collaboration promises to draw attention to his work and expand his audience. For those wishing to keep up with Woody's news and discover his new creations, the Canal Auditif newsletter is an essential resource.

Source: Le Canal Auditif

Dumas continues his musical "Marathon" with a new instrumental album

The Quebec singer-songwriter Dumas released on Friday the second installment of his instrumental project titled "Marathon". This new album marks an important step in the artist's career, as he continues to explore new musical avenues, far from the lyrics that have often accompanied his compositions.

This second instrumental opus reflects Dumas's desire to push the boundaries of his creativity. By focusing on melodies and soundscapes, he offers his listeners an immersive and introspective experience. Although details about specific pieces or potential collaborators for this album are not available, the "Marathon" project seems to fit into an artistic approach where the music speaks for itself.

With this new album, Dumas reinforces his place in the Quebec music scene, demonstrating once again his ability to renew himself and surprise his audience. This project could appeal to fans of instrumental music and those who have followed the artist's evolution since his beginnings.

Source: Journal de Montréal

2120: The Quebec Trio That Is Thrilling France and the Beatles

The Quebec band 2120, made up of a talented trio, is experiencing remarkable success in France, and their success does not stop there. Their recent performances have caught the attention of the legendary Beatles, whose TikTok account shared a video of the band, thus propelling their notoriety internationally. Such recognition from the Fab Four is a rare achievement and reflects the impact of 2120 on the current music scene.

In October, 2120 is set to release a new album, a highly anticipated event for their Quebec and now international fans. This release promises to strengthen their presence in the Francophone music scene and consolidate their growing popularity in Europe. The band continues to embody the dynamism and creativity of Quebec's emerging music scene, attracting attention not only from the public but also from musical icons around the world.

Source: Journal de Montréal

An Electrifying Launch for WAG at Centre: Hub Créatif

On Saturday, September 19, the Centre: Hub Créatif hosted a landmark event for the Quebec music scene: the launch of WAG's first album, "The Whimsical And Glorious Show". This post-hardcore band from Quebec captivated the audience with an intense performance, marked by overflowing energy and sounds that stand out in the local music landscape. The mosh pit came alive under the impetus of the Baboune crew, adding an extra dimension to this already memorable evening.

The evening began with the Bellechasse group Bardasse, which delivered an impressive first show. Their garage punk resonated strongly, despite the surprising choice to sing primarily in English. The trio made a mark with a punk'n'roll sound with anarchistic tendencies. Then, Brainfuzz took over, demonstrating a notable evolution since their beginnings. The stage presence of Laurie Constantin, influenced by her involvement in Quebec's drag scene, and the energy of guitarist Steven Ouellet captivated the audience, promising a bright future for this alternative rock band.

The launch of WAG was a true success, solidifying their place in the Quebec music scene. With influences comparable to Drug Church, WAG has developed a unique sound identity that has won over the attending audience. This evening was a vibrant testament to the vitality and diversity of the emerging music scene in Quebec.

Source: Écoute donc

Apashe and the OSM: An Electrifying Fusion

The Orchestre symphonique de Montréal (OSM) is set to offer a unique musical experience in collaboration with Apashe, aka John de Buck, an essential figure in electronic and hip-hop music. This unique concert, scheduled for Thursday, Friday, and Saturday, is part of the OSM's Pop series and promises an explosive meeting between orchestral and electronic sounds.

Originally from Belgium, Apashe chose Montreal as his home in his teenage years, finding a fertile ground for his artistic explorations. His musical approach is distinguished by the bold fusion of contrasting textures, a challenge he meets brilliantly by integrating orchestral elements into his electronic compositions. This approach contrasts with that of French artist Molécule, who favors more experimental textures, but both share a common vision of orchestral integration.

This concert with the OSM marks an important step in Apashe's journey, who continues to push the boundaries of musical creation. By partnering with the OSM, he once again demonstrates that Montreal is a conducive place for innovation and artistic trust, an environment that allows him to fully develop his creative potential.

Source: Le Devoir

Bibi Club revisits Lhasa De Sela: A Vibrant Tribute Through Time

The Montreal duo Bibi Club, composed of Adèle Trottier-Rivard and Nicolas Basque, has chosen to pay tribute to the late American-Mexican singer Lhasa De Sela by revisiting her iconic song 'J’arrive à la ville'. This cover, 23 years after the original release, is set against a particularly relevant social context, as tensions around immigration continue to rise worldwide.

Bibi Club's version stands out with a renewed musical approach, integrating sound textures unique to the duo while preserving the essence of the original text. The latter, which narrates the arrival of Lhasa's great-grandfather in Marseille after leaving Lebanon, finds particular resonance in the current Quebec context, where political discourse on immigration is often controversial. This interpretation was first presented in 2024 during the concert 'La Route Chante: Hommage à Lhasa', highlighting the lasting impact of Lhasa De Sela's work on the Quebec music scene.

Source: Le Canal Auditif

Gabriella Olivo: A Dazzling Musical Fusion with "Reflexiones"

Gabriella Olivo, a singer-songwriter with Mexican and Quebecois influences, unveils her first full-length album, "Reflexiones". This project marks a sonic turning point after her previous micro-albums, "A todos mis amores" (2024) and "Sola" (2022). Enriched with a varied musical palette, she blends indie pop, techno, cumbia, reggaeton, and folk, while integrating house, dance, and trance influences. The album, performed in Spanish, French, and English, stands out for its uniqueness and sought-after sound textures.

Gabriella co-produced the album with Christian Sean, a multi-instrumentalist whose electroacoustic sounds she admires. Their collaboration, initiated by the single "Ya sé ya sé", has proven fruitful, allowing Gabriella to realize her artistic vision. "Reflexiones" incorporates a variety of instruments, from guitars to bass clarinet, saxophone, and flute, and features the Petits Chanteurs de Charlesbourg on the opening track, "Vale la pena". The album reflects Christian Sean's commitment and involvement in the project, contributing to a result that meets Gabriella's expectations.

Source: Le Devoir

Francis Degrandpré: Country with a Rock’n’Roll Twist

Francis Degrandpré, dubbed the Éric Lapointe of country music, made a notable return to Montreal with a show that blends hunting, fishing, and rock’n’roll. This bold mix seems to have won over the audience, confirming Degrandpré's place in the Quebec music landscape. His performance, which is part of a wider tour, showcases his ability to merge musical styles to create a unique experience.

While specific details about his show remain confidential, Degrandpré's energy and passion on stage are undeniable. He continues to carve his path by drawing inspiration from Éric Lapointe's intensity while injecting his own country flair. This musical cocktail seems to resonate with music lovers who appreciate both the emotional depth of country music and the raw power of rock.

Source: La Presse

Begonia enchants Montreal with her Dreamlike Universe

La Sala Rossa hosted the pop-soul singer Begonia, originally from Winnipeg, for a dreamlike and colorful concert on Thursday night. Presenting her new album, "Fantasy Life" (2026), the artist captivated the audience with a visually rich staging featuring puppets, colorful flowers, and giant black worms with fluorescent eyes, a nod to her music videos. Dressed in a yellow outfit and wrapped in pink tulle, Begonia opened the evening with a speech inviting exploration of honesty, joy, and hope, while reminding the importance of respect and inclusivity.

The evening began with the rap duo Cartel Madras, who energized the approximately 300 spectators present. With their unique style blending trap, house, punk, and industrial electro, they delivered an energetic performance, addressing themes such as South Asian identity and queer culture. Their presence perfectly set the stage for Begonia's entrance, whose airy voice suspended time from the very first notes of "In my lifetime pt1". The captivated spectators reacted enthusiastically throughout the performance.

Source: Sors-tu.ca

New Musical Horizons: Notable Releases in October

This week, the Quebec music scene is enriched with several captivating new releases. Gabriella Olivo, a well-established artist on the local scene with several EPs to her credit, finally unveils her first full album, 'Reflexiones'. This eclectic opus blends influences from cumbia, experimental pop, and electronic sounds, while integrating lyrics in French, English, and Spanish. Approaching her thirties, Olivo draws inspiration from this pivotal period in her life, particularly her 'Saturn return', to deliver melancholic tracks, such as the delicate 'Todas mis amigas'.

On the U.S. side, Greg Freeman, a rocker from Vermont, returns with 'All Set the Bone', his third studio album. After 'I Looked Out' in 2022 and 'Burnover' in 2024, Freeman continues to explore deep themes such as change and grief, set against a backdrop of psychedelic, garage, and noise riffs, always infused with a touch of Americana. Finally, former Smiths guitarist Johnny Marr releases 'The Age of Everything', an alternative rock album with post-punk accents, recorded between London and Manchester. Marr, active solo since 2013, delivers here a cathartic work, imbued with his perceptions and those of his surroundings.

Source: Le Canal Auditif

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