Jeanne Côté, Mon Doux Saigneur et Milk & Bone: the Quebec music scene of November 14, 2026

The Coup de cœur francophone 2026 festival continues to shine with unforgettable performances. Jeanne Côté captivated the audience at the Cabaret Lion d'Or, offering a show imbued with poetry and sisterhood. Accompanied by Amylie, Catherine Leduc, and Salomé Leclerc, she left a lasting impression with tracks from her two albums and a new composition.

Mon Doux Saigneur also left an indelible mark during their concert at the Gesù, despite some unmet narrative promises. The Montreal group charmed the audience with the quality of their music. Furthermore, the duo Milk & Bone continues its ascent with their song "All For Love," enriching a repertoire already strong with over 75 million streams.

An Electrifying Evening at Coup de Cœur Francophone 2026

On November 12, the Coup de cœur francophone 2026 festival lit up the Plateau Mont-Royal with a memorable evening at the Triangle. The eighth night of the event brought together talented artists, including Vincent Khouni, Valery Vaughn, Robert Robert, Aujourd'hui, and DONALDA, offering a diverse musical palette ranging from electro to vintage pop-rock.

Vincent Khouni, known for his leading role in Double Date With Death, made a mark on the Quai des Brumes stage with his solo project. Accompanied by Jean-Baptiste Beltra on drums and Patrick Gosselin on bass, Khouni presented his EP 'Accident,' inspired by a bike incident. The visual projections in the background added an immersive dimension to his performance, capturing the attention of an initially shy audience, quickly won over.

The duo Valery Vaughn, composed of Vincent Huard and Victor Tremblay-Desrosiers, also brought their energy to the evening. Since their debut in 2017, they continue to charm with their unique sound. This evening was a true celebration of Francophone creativity, once again demonstrating the richness of the Quebec music scene.

Source: Le Canal Auditif

Jeanne Côté Lights Up the Cabaret Lion d'Or at Coup de Cœur Francophone

The 40th edition of the Coup de cœur francophone offered a memorable evening at the Cabaret Lion d'Or with Jeanne Côté headlining. Originally from Petite-Vallée, the Gaspesian artist captivated the audience with her show 'Dans les tournants,' an event marked by sisterhood. Jeanne Côté, accompanied by Amylie, Catherine Leduc, and Salomé Leclerc, performed songs from her two albums, blending folk and poetry with a striking voice. She also shared a new, unreleased composition, promising continuity in her musical evolution.

The evening began with Eadsé, a Wendat singer-songwriter, who presented pop-soul tracks, some freshly released. Her performance, accompanied on guitar by Raphaël Bussière, offered an emotional and engaged introduction, touching on personal and social themes. Jeanne Côté then took over, surrounded by Émilie Proulx on bass, Arthur Bourdon-Durocher on drums, and Zachary Boileau on guitar. Together, they created an enchanting atmosphere, suspending the audience in a moment of pure musical magic. With tracks like 'Mousse Mémoire' and 'Ouragans,' Jeanne Côté demonstrated once again why she is a rising figure in the Quebec music scene.

Source: Sors-tu.ca

Katrine Sansregret Ignites the Impérial Bell with Her Debut Album

On October 29, the Impérial Bell resonated with the sound of Katrine Sansregret, who presented songs from her debut album, "J'écris les problèmes qu'on est en train de laisser à nos enfants," during an encore. The evening began with the talented Romie Lacasse, also known for her participation in the latest edition of Star Académie. She captivated the audience with tracks like "Monstre" and "Trop," showcasing a unique voice and original lyrics.

Katrine Sansregret, a finalist from Star Académie, then stormed the stage with tracks such as "J’en ai long à dire," "M’enfuir d’ici," and "Laisse-moi revenir." A highlight of the evening was her duet with Félix Lemelin on "Minable," accompanied by a light show orchestrated by the audience. In addition to her own compositions, Katrine offered a medley in tribute to artists she admires, such as Ariane Moffatt and Céline Dion, highlighting the power of her voice. She concluded with a memorable encore, performing "Minable" again, this time solo, leaving an indelible mark on the present spectators.

Source: Écoute donc

The Trio PRINCESSES Crown the Verre Bouteille with Their Debut Album

Wednesday night, the stage of the Verre Bouteille vibrated to the frantic rhythm of punk rock with the launch of the trio PRINCESSES' very first album, titled 'Une autre dose de courage.' This concert was part of the Coup de cœur francophone festival, a must-attend event for fans of emerging Francophone music.

The group, composed of three energetic musicians, delivered a powerful performance, confirming their stage reputation. Their ability to combine catchy riffs with well-crafted lyrics was particularly highlighted during this memorable evening. PRINCESSES captivated the audience, proving that their talent extends beyond the stage to musical writing.

This debut album marks an important milestone in the group's journey, which seems ready to conquer the Quebec punk rock scene and beyond. With 'Une autre dose de courage,' PRINCESSES establishes itself as a rising force, ready to leave a lasting imprint on the Francophone music landscape.

Source: Sors-tu.ca

Mon Doux Saigneur: A Captivating Groove at Gesù

The Montreal group Mon Doux Saigneur marked the seventh day of the Coup de cœur francophone festival with a performance at the Gesù that showcased their undeniable musical talent. Although announced as an immersive and conceptual event concert, the experience did not entirely fulfill all its narrative promises. However, the audience was won over by the quality of the musicians and the richness of the songs performed.

Despite high expectations, Mon Doux Saigneur's performance managed to enchant with its captivating groove, which served as a compass throughout the evening. The group, well-rooted in the Montreal music scene, continues to stand out with its unique approach and ability to captivate the audience. This concert at the Gesù was a beautiful showcase for their music, even if some aspects of the announced concept were not as impactful as expected.

Source: Sors-tu.ca

Boogát and Sonido Pesao: A Renewed Musical Complicity

Boogát and Sonido Pesao make a notable return to the Quebec music scene with the simultaneous release of their new albums. Gathered in a Latino-Mexican café in Montreal, Daniel Russo Garrido, aka Boogát, and members of Sonido Pesao, namely Ronald Lemus Barrientos (Chellz), Marco Antonio Aguilar (Luny), and Élodie Sono Synnott (Élo), testify to their natural complicity. This relationship dates back to the 2000s when Chellz and Luny met at Joseph-François-Perrault high school in the Saint-Michel neighborhood.

The paths of Boogát and Sonido Pesao are marked by their Latin American origins and a childhood spent in neighborhoods where immigration is omnipresent. Inspired by American cultural figures like Cypress Hill, they found in music an escape from precariousness and community isolation. Since their beginnings, these artists have asserted themselves by relying on a shared imagination and a desire to represent their community on the music scene.

Source: Le Devoir

Milk & Bone Charms with "All For Love"

The Montreal duo Milk & Bone, composed of Laurence Lafond-Beaulne and Camille Poliquin, continues to enchant the public with their latest track, "All For Love." This new song adds to an already impressive repertoire that has accumulated over 75 million streams on streaming platforms, attesting to their growing popularity.

Milk & Bone has forged a solid reputation on the Quebec and international music scene thanks to their distinctive electro-pop sound and enchanting vocal harmonies. "All For Love" is no exception, offering further proof of their talent for creating captivating soundscapes. The success of this track reinforces their status as essential artists in the current music landscape.

Source: Le Canal Auditif

Matt Holubowski Unveils "Pie in the Sky"

Matt Holubowski, a prominent figure in the Quebec music scene, continues to pique the curiosity of his fans with the release of "Pie in the Sky," the second single from his upcoming album. Titled "Inside The Merry Loop," this album is expected in January 2027. "Pie in the Sky" follows "Black Cloud," the first single that had already set the tone for this highly anticipated new album.

With this new piece, Holubowski seems to continue in a musical vein that is his own, blending introspection and enveloping melodies. Although details about "Pie in the Sky" are still scarce, this release contributes to heightening the anticipation surrounding "Inside The Merry Loop." Matt Holubowski, known for his ability to create unique soundscapes, promises to deliver an album worthy of his talent, thereby consolidating his place in the Quebec music scene.

Source: Le Canal Auditif

The Orchestra of One-Man Bands: An Unbridled Musical Journey in Outremont

The Orchestra of One-Man Bands, a collective of musicians based in Quebec City, continues to surprise after nearly 25 years of career with their new creation, 'La mémoire de ma mère.' Presented at the Théâtre Outremont, this show stands out for its anarcho-baroque approach, blending various musical styles in an organized chaos. Spectators are transported into a universe where French song coexists with jazz, electro-tango, and Brazilian percussion, forming a unique sound patchwork.

The group, composed of five one-man bands and one woman-band, is distinguished by its ability to juggle multiple instruments, ranging from guitar to saxophone to unusual objects like the saw and the mirror. Each member plays up to five instruments, adding a spectacular dimension to their performance. However, the absence of a clear narrative link between the numbers and the visible costume changes may leave the audience somewhat disoriented.

Despite this impression of disorder, 'La mémoire de ma mère' offers a poetic reflection on memory, symbolized by threads stretched across the set. These threads represent the brain connections and memories that fade or reorganize over time. An original idea that, while sometimes puzzling, reflects the limitless creativity of the Orchestra of One-Man Bands.

Source: Sors-tu.ca

Shaina Hayes: A New Folk Adventure with "Take the Case of a Rose"

Shaina Hayes, the Gaspesian artist under the Bonsound label, returns to the forefront of the music scene with her third album, "Take the Case of a Rose." Known for her folk sound, Hayes continues to surprise by integrating ambient and alternative influences into her characteristic style. This new opus moves away from the country elements that marked "Kindergarten Heart," her previous album, to explore new sound textures.

The album opens with "Acid Rain," a piece that immediately sets the tone with a piano-voice arrangement, a rarity in Hayes' recent productions. The guitar and percussion, familiar to her universe, quickly enrich this soundscape. Among the standout tracks, "Flourish," released as a single in spring, stands out for its effectiveness and perfect balance between guitar and drums, supported by captivating harmonies. "Timid" and "Steady" offer rhythmic and atmospheric variations, showcasing Hayes' musical versatility. Towards the end of the album, "Pining" even evokes reminiscences of Radiohead, an unexpected nod that reflects Hayes' artistic evolution.

With "Take the Case of a Rose," Shaina Hayes once again demonstrates her ability to renew herself while remaining true to her musical essence. The album is a bold exploration that is sure to captivate folk and indie music lovers.

Source: Le Canal Auditif

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