Anaïs Constantin and Alphonse Bisaillon: The Quebec Music Scene on November 10, 2026

The Quebec music scene continues to dazzle with artists like Anaïs Constantin and Alphonse Bisaillon, who recently captivated crowds. Anaïs Constantin celebrated the launch of her first album, 'L'amour pis les steamés', at Verre Bouteille, as part of the Coup de cœur francophone festival, delivering a lo-fi pop performance infused with a summery vibe.

Alphonse Bisaillon, on the other hand, transformed Café Campus into a poetic and musical space on November 6. Accompanied by his musicians and singers, he presented his concert 'Jacker un pick up en poésie', a unique experience where poetry and music intertwine to touch the audience.

Folivora Celebrates Its 5th Anniversary with PRINCESSES and Fuudge at L’Anti

On October 23, L’Anti Bar & Spectacles in Quebec City was the stage for a unique celebration for the fifth anniversary of the record label Folivora. True to its rock and independent spirit, Folivora marked the occasion with a double bill featuring two of its flagship artists: the trio PRINCESSES and the band Fuudge. No pompous ceremonies for the label, but an explosive evening that highlighted the raw talent of these musicians.

PRINCESSES, composed of Flavie Léger-Roy on guitar, Marie-Philippe Thibeault-Desbiens on bass, and Chouchoune on drums, delivered an energetic performance centered around their new album “Une autre dose de courage”, released the day before. Their songs, blending rock and punk with incisive and feminist lyrics, captivated the audience from the first notes of "Tape des mains" to "Peur dans l'parc". Each piece reveals musical subtleties and vocal harmonies that testify to their artistic maturity.

Fuudge, recognized as one of the best rock bands in Quebec for a decade, also presented tracks from their latest album, “Les horribles”, released in May. The evening thus offered a vibrant glimpse into the current Quebec rock scene, celebrating both the past and present of Folivora.

Source: Écoute donc

Anaïs Constantin Illuminates Verre Bouteille with Her Album "L'amour pis les steamés"

Anaïs Constantin enchanted the audience at Verre Bouteille on November 8 during the launch of her first album, "L'amour pis les steamés". This event was part of the 40th edition of the Coup de cœur francophone festival. The singer, known for her lo-fi pop, delivered an emotionally rich performance, with a staging evoking the friendly atmosphere of a summer camping trip. The entrance on stage was marked by a mock half-and-half draw, before Anaïs joined her musicians with beers in hand.

Accompanied by Fred Levac on bass and acoustic guitar, Judith Little-Daudelin on keyboards, and Marie-Anne Tessier on drums, Anaïs Constantin performed the entirety of her new album in track order. The show was punctuated by memorable moments, notably through the original use of the four-string tenor baritone guitar. Simon Bolduc and Rose Frappier joined Anaïs on stage for special collaborations, adding unique touches to the songs "Je m'excuse pour ça" and "Du beau et de l'inutile". The evening concluded with an encore of four older songs, including "Mes Années 2000", leaving the audience on a nostalgic and joyful note.

Source: Sors-tu.ca

Alphonse Bisaillon: Poetry and Energy at Café Campus

On November 6, Alphonse Bisaillon transformed Café Campus into a true poetic and musical laboratory with his concert 'Jacker un pick up en poésie'. Surrounded by his loyal musicians, including singers Kelowna Chauvin and Sarah Lévesque, he captivated a diverse audience with a bold staging by Garance Chartier. Posters of short poems adorned the walls, preparing the audience for a unique experience where words and music intertwined to heal or destroy, in the artist's own words.

The evening began with an electrifying performance by Gabriel Desjardins, aka Oujour d'hui / La Controverse, who warmed up the room with his electro-pop/dubstep sounds. Alphonse Bisaillon then took over, opening the show with 'Tout est accessoire!', a track from his 2022 self-titled EP. This song, a critique of the obsessions with appearances, allowed the singers to unleash an overflowing energy, leading the crowd into a series of joyful mosh pits. The concert, appreciated by an audience aged 18 to 70, managed to charm even those who discovered Alphonse through the show 'Chants libres à Monique', hosted by Monique Giroux on ICI MUSIQUE.

Source: Sors-tu.ca

The Wild Palominos: A Dancing Return to the 90s with "Dancehall Revival"

The Quebec band The Wild Palominos makes a strong return with their new album titled "Dancehall Revival". This opus transports listeners into the world of 1990s country, an era marked by catchy rhythms and melodies. Staying true to their style, the band members managed to capture the essence of that decade while adding their personal touch.

"Dancehall Revival" is a true invitation to line dancing, a nod to festive evenings where country music reigned supreme. With this new album, The Wild Palominos demonstrate their ability to fuse nostalgia and innovation, thus offering their fans a unique musical experience. This project continues their journey, reinforcing their place in the Quebec country scene.

Source: Journal de Montréal

Laura Schembri: The New Star of Quebec Disco

Laura Schembri, singer-songwriter, is making her mark in the Quebec music landscape with a claimed passion for disco. Her stage presence is marked by authentic joy that does not go unnoticed, capturing the attention of the public and critics alike. In a short time, she has managed to make a name for herself with her refreshing and energetic approach to the genre.

Laura's music videos, although made without Hollywood means, have managed to stand out in several competitions. This success attests to her creativity and ability to produce captivating visual works with limited resources. By relying on her talent and a clear artistic vision, she breathes new life into disco while paying homage to its roots.

Source: La Presse

Protomartyr Ignites Foufounes Électriques with "Hotel Usona"

While ADISQ was in full swing just steps away, Protomartyr captivated the Montreal audience at Foufounes Électriques with their latest album, "Hotel Usona". Released in September, this conceptual opus explores the tumultuous state of contemporary America through a series of musical pieces, each representing a room of this fictional hotel. The often underestimated band made a lasting impression with an intense and engaged performance.

Joe Casey, the band's frontman, once again demonstrated his talent as a lyricist with sharp texts that resonate as painful truths. Before their entrance on stage, a projected video already immersed the audience in the world of Hotel Usona, enhancing the immersive experience of the show. Casey's raw energy, despite his tired appearance, captured the audience's full attention, reminiscent at times of a Matt Berninger in deep nocturnal introspection.

With "Hotel Usona", Protomartyr continues to establish itself as an essential voice in contemporary rock, delivering a striking social critique that leaves no one indifferent. A concert that will undoubtedly remain etched in the memories of those fortunate enough to attend.

Source: Sors-tu.ca

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